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A Maya Universe in Stone [Hardcover]

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  • Category: Books (Art)
  • ISBN-10:  1606067443
  • ISBN-10:  1606067443
  • ISBN-13:  9781606067444
  • ISBN-13:  9781606067444
  • Publisher:  Getty Research Institute
  • Publisher:  Getty Research Institute
  • Pages:  192
  • Pages:  192
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2021
  • Pub Date:  01-May-2021
  • SKU:  1606067443-11-SPLV
  • SKU:  1606067443-11-SPLV
  • Item ID: 105132713
  • List Price: $50.00
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Sep 27 to Sep 29
  • Notes: Brand New Book. Order Now.
The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala.

In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced.

Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala.

“A multifaceted and illuminating account of an enigmatic group of looted monuments, this text offers a unique portrait of an eighth-century Maya sculptor and his world. In addition to considering the artistic, political, and cosmological spheres into which the works intervened, it does not shy away from modern realities of looting and the art market, laying out a persuasive case for the origin of these sculptures that will aid in lĂ$

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