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Evidence of Things Not Seen: Fantastical Blackness in Genre Fictions [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Frederick, Rhonda D.
  • Author:  Frederick, Rhonda D.
  • ISBN-10:  1978818076
  • ISBN-10:  1978818076
  • ISBN-13:  9781978818071
  • ISBN-13:  9781978818071
  • Publisher:  Rutgers University Press
  • Publisher:  Rutgers University Press
  • Pages:  246
  • Pages:  246
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Jun-2022
  • Pub Date:  01-Jun-2022
  • SKU:  1978818076-11-SPLV
  • SKU:  1978818076-11-SPLV
  • Item ID: 105153586
  • Seller: ShopSpell
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  • Delivery by: Oct 08 to Oct 10
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
Evidence of Things Not Seen:Fantastical Blackness in Genre Fictionsis an interdisciplinary study of blackness in genre literature of the Americas. The “fantastical” in fantastical blackness is conceived by an unrestrained imagination because it lives, despite every attempt at annihilation. This blackness amazes because it refuses the limits of anti-blackness. As put to work in this project, fantastical blackness is an ethical praxis that centers black self-knowledge as a point of departure rather than as a reaction to threatening or diminishing dominant narratives. Mystery, romance, fantasy, mixed-genre, and science fictions’ unrestrained imaginings profoundly communicate this quality of blackness, specifically here through the work of Barbara Neely, Colson Whitehead, Nalo Hopkinson, and Colin Channer. When black writers center this expressive quality, they make fantastical blackness available to a broad audience that then uses its imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres’ imaginable possibilities offer strategies through which the made up can be made real.

 Evidence of Things Not Seenis an interdisciplinary study of blackness in genre literature of the Americas. When mystery, romance, fantasy, mixed-genre, and science fiction writers center fantastical blackness, they make this expressive quality available to a broad audience that uses pop fictions’ imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres’ imaginable possibilities help us strategize ways that the made up can be made real.RHONDA FREDERICK is an associate professor of African and African diaspora studies and English at Boston College in Massachusetts. She is the author of"Colón Man a Come": Mythographies of Panama Canal Migration.
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