Framed Spaces: Photography and Memory in Contemporary Installation Art [Paperback]

While earlier theorists held up experience as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographicbased theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography and filmbased installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.

MONICA E. MCTIGHE is an assistant professor of art and art history at Tufts University.

Acknowledgments Introduction Expanding the Frame: Installation Art in the 1970s The Politics of Representation: Archive and Memory in the Work of Ren?e Green The Poetics of Experience: Ann Hamiltons Installations and Photographs Camera Obscura: Memory in Film and Video Installations in the 2000s Conclusion: Installation Art and Memory Notes Bibliography Index