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G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926 [Hardcover]

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  • Category: Books (Art)
  • ISBN-10:  1606060392
  • ISBN-10:  1606060392
  • ISBN-13:  9781606060391
  • ISBN-13:  9781606060391
  • Publisher:  Getty Research Institute
  • Publisher:  Getty Research Institute
  • Pages:  280
  • Pages:  280
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Jul-2010
  • Pub Date:  01-Jul-2010
  • SKU:  1606060392-11-SPLV
  • SKU:  1606060392-11-SPLV
  • Item ID: 105157305
  • List Price: $40.00
  • Seller: ShopSpell
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  • Delivery by: Sep 27 to Sep 29
  • Notes: Brand New Book. Order Now.

First published in 1923, the journalG: Material zur Elementaren Gestaltung(G: Materials for Elemental Form-Creation) helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film,Gfeatured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner Graeff, George Grosz, Hugo Häring, Raoul Hausmann, Ludwig Hilberseimer, Frederick Kiesler, El Lissitzky, Ludwig Mies van der Rohe, Antoine Pevsner, Man Ray, and Tristan Tzara. 

This edition, the first in English translation, preserves the original design by Lissitzky, Richter, and Graeff, and includes essays that explore the role of the journal in its time and in relation to contemporary culture. An introduction analyzes the principles of the journal, situates it in the culture of the early 1920s, and evaluates its achievements.

Published in the 1920s by a who’s who of avant-garde artists, G helped shape a new phase in modern art. This is the first English translation.

Detlef Mertins is an architect, historian, and professor at the University of Pennsylvania. He is editor of Walter Curt Behrendt’sThe Victory of the New Building Style(Getty Publications, 2000) andThe Presence of Mies. Michael W. Jennings is the Class of 1900 Professor of Modern Languages in the Department of German at Princeton University. He is the author ofDialectical Images: Walter Benjamin’s Theory of Literary Criticismand coauthor ofThe Author as Producer: A Life of Walter Benjamin.

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