A groundbreaking history of African Americans in the early recording industry,
Lost Soundsexamines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved.
Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry.
Lost Soundsincludes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Winner of an ASCAP Deems Taylor Award, 2005. Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005. Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.
"An act of cultural reclamation--the great lost heroes of black performance."--
New York Times"Brooks brings both passion and compassion to the story of the black pioneers who worked as performers and entrepreneurs in the nascent U.S. recording industry."--
Business History Review"The authors are ardent schollƒž