Richard Linklater's filmmaking choices seem to defy basic patterns of authorship. From his debut with the inventive independent narrativeSlacker,the Austin-based director's divergent films have included the sci-fi noirA Scanner Darkly,the socially consciousFast Food Nation,the kid-friendlyThe School of Rock,the teen ensembleDazed and Confused,and the twin romancesBefore SunriseandBefore Sunset.Yet throughout his varied career spanning two decades, Linklater has maintained a sense of integrity while working within a broad range of budgets, genres, and subject matters.
Identifying a critical commonality among so much variation, David T. Johnson analyzes Linklater's preoccupation with the concept of time in many of his films, focusing on its many forms and aspects: the subjective experience of time and the often explicit, self-aware ways that characters discuss that experience; time and memory, and the ways that characters negotiate memory in the present; the moments of adolescence and early adulthood as crucial moments in time; the relationship between time and narrative in film; and how cinema, itself, may be becoming antiquated. While Linklater's focus on temporality often involves a celebration of the present that is not divorced from the past and future, Johnson argues that this attendance to the present also includes an ongoing critique of modern American culture. Crucially filling a gap in critical studies of this American director, the volume concludes with an interview with Linklater discussing his career.
"Refreshingly open-minded."--Senses of Cinema
"In addition to Johnson's critical insights, a lengthy interview with the director is included. . . . This book is ideal for scholars of American independent cinema."--Library Journal
"The most exhaustls