InThe Cruel Radiance, Susie Linfield challenges the idea that photographs of political violence exploit their subjects and pander to the voyeuristic tendencies of their viewers. Instead she argues passionately that looking at such images—and learning toseethe people in them—is an ethically and politically necessary act that connects us to our modern history of violence and probes the human capacity for cruelty. Grappling with critics from Walter Benjamin and Bertolt Brecht to Susan Sontag and the postmoderns—and analyzing photographs from such events as the Holocaust, China’s Cultural Revolution, and recent terrorist acts—Linfield explores the complex connection between photojournalism and the rise of human rights ideals. In the book’s concluding section, she examines the indispensable work of Robert Capa, James Nachtwey, and Gilles Peress and asks how photography should respond to the increasingly nihilistic trajectory of modern warfare.
A bracing and unsettling book,The Cruel Radianceconvincingly demonstrates that if we hope to alleviate political violence, we must first truly understand it—and to do that, we must begin to look.
Susie Linfieldhas been an editor forAmerican Film, theVillage Voice, and theWashington Postand has written for a wide range of publications including theLos Angeles Times Book Review, theNew York Times,Bookforum, theVillage Voice,Aperture,Dissent, and theNation. She is associate professor of journalism at New York University, where she directs the Cultural Reporting and Criticism program.
List of Figures
Preface: The Black Book
PART ONE: POLEMICS
1 A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography?
2 Photojournalism and HumanlĂ.