The Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960s and ’70s. Split over two volumes, the contributors examine the intersection of art and science and look at collaborations among inventors, designers, and artists trying to create new tools to capture and manipulate images in revolutionary ways. The contributors include “video pioneers,” who have been active since the emergence of the aesthetic, and technologists, who continue to design, build, and hack media tools. The book also looks at contemporary toolmakers and the relationship between these new tools and the past. Video and media production is a growing area of interest in art and this collection will be an indispensable guide to its origins and its future.
Kathy Highis associate professor in the Department of Arts at Rensselaer Polytechnic Institute and an interdisciplinary artist working with science- and time-based arts. Sherry Miller Hockingis assistant director at the Experimental Television Center.Mona Jimenezis an associate professor and associate director in the Moving Image Archiving and Preservation Program at New York University.
Volume 1
Acknowledgments
Preface
Section 1: Histories
Introduction
Kathy High
Beginnings (With Artist Manifestos)
Kathy High
Mapping Video Art as Category, or an Archaeology of the
Conceptualizations of Video
Jeremy Culler
Imlƒ0