Japanese artist Kitagawa Utamaro (1753–1806) was one of the most influential artists working in the genre of ukiyo-e, “pictures of the floating world,” in late eighteenth-century Japan, and was widely appreciated for his prints of beautiful women. In 1804, at the height of his success, Utamaro published a set of prints related to a banned historical novel. The prints, titled
Hideyoshi and his Five Concubines, depicted the military ruler Toyotomi Hideyoshi’s wife and concubines, and consequently, he was accused of insulting Hideyoshi’s dignity. Utamaro was sentenced to be handcuffed for fifty days and is thought to have been briefly imprisoned. According to some sources, the experience crushed him emotionally and ended his career as an artist.
In this new expanded edition, Julie Nelson Davis draws on a wide range of period sources, makes a close study of selected print sets, and reinterprets Utamaro in the context of his times. Reconstructing the place of the ukiyo-e artist within the commercial print market, she demonstrates how Utamaro’s images participated in a larger spectacle of beauty in the city of Edo (present-day Tokyo).
Julie Nelson Davisis associate professor of East Asian art in the Department of the History of Art at the University of Pennsylvania.
Introduction: Utamaro, Ukiyo-e and the City of Prints
1 Constructing the Artist Known as Utamaro
2 Pictures of Beauties and Other Social Physiognomies
3 Behind the Brocade and Other Yoshiwara Illusions
4 Utamaro and the Feminine Spectacle
5 Making History into the Pageant of the Floating World
References
Works Cited
Acknowledgements
List of Illustrations
Index
“By offering [a] new approach to the constructions of identity, to the roles of gender, sexuality and celebrity in the Edo period, Davis here makes a significant contribution to the field in showing us lÓÙ