Seven decades after his death, German Jewish writer, philosopher, and literary critic Walter Benjamin (1892–1940) continues to fascinate and influence. Here Uwe Steiner offers a comprehensive and sophisticated introduction to the oeuvre of this intriguing theorist.
Acknowledged only by a small circle of intellectuals during his lifetime, Benjamin is now a major figure whose work is essential to an understanding of modernity. Steiner traces the development of Benjamin’s thought chronologically through his writings on philosophy, literature, history, politics, the media, art, photography, cinema, technology, and theology.
Walter Benjaminreveals the essential coherence of its subject’s thinking while also analyzing the controversial or puzzling facets of Benjamin’s work. That coherence, Steiner contends, can best be appreciated by placing Benjamin in his proper context as a member of the German philosophical tradition and a participant in contemporary intellectual debates.
As Benjamin’s writing attracts more and more readers in the English-speaking world,
Walter Benjaminwill be a valuable guide to this fascinating body of work.
Uwe Steineris professor in and chair of the Department of German Studies at Rice University and the author or editor of numerous books in German.Michael Winkleris professor emeritus of German studies at Rice University.
Preface
Translator’s Note
Benjamin’s Works Cited in This Study
Chapter One: Introduction
1. A Contemporary of Modernity
2. Life and Works
3. Companions, Influences
Chapter Two: Early Writings, 1914–18
1. Apotheosis of the Mind (Geist): Beginnings inside the Youth Movement
“Dialogue on Contemporary Religiosity” (1912); “The Life of Students” (1915–16)
2. Life of the Work of Art
“Two Poems by Friedrich HölÃW