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Avant-garde Orientalism: The Eastern 'Other' in Twentieth-Century Travel Narrative and Poetry [Paperback]

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  • Category: Books (Literary Criticism)
  • Author:  Sweet, David LeHardy
  • Author:  Sweet, David LeHardy
  • ISBN-10:  3319843834
  • ISBN-10:  3319843834
  • ISBN-13:  9783319843834
  • ISBN-13:  9783319843834
  • Publisher:  Palgrave Macmillan
  • Publisher:  Palgrave Macmillan
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Apr-2018
  • Pub Date:  01-Apr-2018
  • SKU:  3319843834-11-SPRI
  • SKU:  3319843834-11-SPRI
  • Pages:  318
  • Pages:  318
  • Item ID: 105225640
  • List Price: $109.99
  • Seller: ShopSpell
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  • Delivery by: Oct 18 to Oct 20
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This study explores the work of Western avant-garde writers who traveled to and wrote about Asia and North Africa. Though exoticist in outlook, many of these writers were also anti-colonialist and thus avoided some of the pitfalls of academic orientalism by assuming an aesthetics of diversity while employing strategies of provocation and reciprocity. As a survey of works on travel (including essays, novels, poems, and plays), the book challenges or modifies many postcolonial assumptions about Western writers on the Orient: from the French Surrealists to the American Beats and even transnational authors of the new millennium. Through a synthesis of avant-garde, postcolonial, and travel literature theories, Avant-garde Orientalism works in the best tradition of comparative literary study to identify and analyze a distinct category of world literature.    

1. Introduction.- 2. The Poetics of Travel, Postcolonial Criticism, and the Theory of the Avant-Garde.- 3. A Literary Genealogy of Avant-garde Orientalism.- 4. The Maghreb and Tangier.- 5.  Egypt and Palestine.- 6.  India.- 7.  Conclusion: The Far East. 

Sweet goes so far as to claim that these [avant-garde] travel writings can at times prove more effective than postcolonial critique because they work by stealth and disguise to unleash a kind of generalized laughter at orientalist assumptions & . Fictional strategies, like parody, counter orientalism by showcasing its nonsensical nature, whereas postcolonial theory always risks aggrandizing orientalism through the very operation of critique. While critique takes orientalism too seriously, fiction knows it to be a fantasy ripe for parody. (Jonathan Fardy, A Review of International English Literature, Vol. 51 (1), January, 2020)

Sweet avoids the pitfall of generalil“F