This book highlights the multiplicity of American womens writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American womens writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collections introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American womens writing is threshold writing, or writing that occupies a liminal, hybrid space that both delimits bordersand offers enticing openings.
Introduction: Threshold Thinking, Rita Bode and Kristin J. Jacobson.- Section I Early American Thresholds Introduction: Early American Women Writers: The Potentiality of the Continual Self-Creating Act, Kristin Allukian.- Sweet Cement: Occasioning Bathsheba Bowers An Alarm Sounded to Prepare the Inhabitants of the World to Meet the Lord in the Way of His Judgment, Nicholas K. Mohlmann.- Beyond The Bars: Lucy Terry Prince and the Margins of the Colonial Landscape, Ann A. Huse.- The Liminal Time of Friendship: Narrative Dely in Hannah Webster Fosters
The Coquette, Molly Ball.- We cannot be indifferent: Native Americans and the Students of the Moravian Seminary for Young Ladies, Gregory D. Specter.- Section II Nineteenth Century Thresholds Introduction: Resistance and Alternative Histories in Nineteenth-century Womens Writing, Rickie-Ann Legleitner.- Changing is Surviving: Transformation l*