The historical novels of Manuel Zapata Olivella and Ana Maria Gonçalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies. Unlike Paul Gilroy, who coined the term and based it on W.E.B. DuBois’s double consciousness, Zapata, in
Changó el gran putas(1983), creates an empowering mythology that reframes black resistance in Colombia, Haiti, Mexico, Brazil, and the United States. In
Um defeito de cor(2006), Gonçalves imagines the survival strategies of a legendary woman said to be the mother of black abolitionist poet Luís Gama and a conspirator in an African Muslim–led revolt in Brazil’s “Black Rome.” These novels show differing visions of revolution, black community, femininity, sexuality, and captivity. They skillfully reveal how events preceding the UNESCO Decade of Afro-Descent (2015–2024) alter our understanding of Afro-Latin America as it gains increased visibility.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.This incisive new study demonstrates how Columbian writer Manuel Zapata Olivella’s novel
Changó el gran putas(1983) and Brazilian-born Ana Maria Gonçalves’ saga
Um defeito de cor(2006) transcend Paul Gilroy’s paradigm of the Black Atlantic to show revolutions, communities, and femininities that prophesy a just “New World.”
JOHN T. MADDOX IVis an assistant professor of Spanish and African American studies at the University of Alabama at Birmingham.
Introduction: This Book, Manuel Zapata Olivella, and Ana Maria Gonçalves
a Manuel Zapata Olivella (1920–2004)
b
ZapataolivellislÓ”