German Ways of Wardeploys theories of space, mobility, and affect to investigate how war films realize their political projects. Analyzing films across the decades, from the 1910s to 2000s,German Ways of Waraddresses an important lacuna in media studies: while scholars have tended to focus on the similarities between cinematic looking and weaponized targeting -- between shooting a camera and discharging a gun – this book argues that war films negotiate spaces throughout that frame their violence in ways more revealing than their battle scenes. Beyond that well-known intersection of visuality and violence,German Ways of Warexplores how the genre frames violence within spatio-affective operations. The production of novel spaces and evocation of new affects transform war films, including the genre’s manipulation of mobility, landscape, territory, scales, and topological networks. Such effects amount to what author Jaimey Fisher terms the films’ “affective geographies” that interweave narrative-generated affects, spatial depictions, and political processes. German Ways of Warexplores the production of novel spaces and evocation of new affects in the war-film genre between the 1910s and 2000s. Beyond the conventional pairing of visuality and violence, war films combine mobility, landscape, territory, scales, and topological networks into “affective geographies” that interweave narratively-generated affect, space, and political processes. JAIMEY FISHER is a professor of German and cinema and digital media at the University of California, Davis. He is the author ofTreme,Christian Petzold andDisciplining Germany: Youth, Reeducation, and Reconstruction after the Second World War.Acknowledgements 1. Introduction: The Affective Geographies and Generic Transformations of German War Films,1910s-2000s 2. Land into Landscape, Landscape into TerritolÓC