ASHLEY CALLAHAN has an MA in the history of American decorative arts from Parsons School of Design and the Cooper Hewitt, Smithsonian Design Museum, and a BA in art history from Sewanee, the University of the South. Callahan, an independent scholar and former curator of decorative arts at the Georgia Museum of Art, is the author of
Southern Tufts: The Regional Origins and National Craze for Chenille Fashion (Georgia);
Georgia Bellflowers: The Furniture of Henry Eugene Thomas;
Modern Threads: Fashion and Art by Mariska Karasz; and
Enchanting Modern: Ilonka Karasz and coauthor of
Crafting History: Textiles, Metals, and Ceramics at the University of Georgia. She lives in Athens, Georgia.
Frankie Welch (1924-2021) combined a creative mind and an entrepreneurial spirit to establish herself as a leading American textile, accessories, and fashion designer in a career that spanned four decades, from the 1960s through the 1990s. This lavishly illustrated book provides a lively account of her life and career, tracing her rise from the small town of Rome, Georgia, to her role as a doyenne of fashion in the Washington, D.C., area. Featuring her scarf and fashion designs for the 1968 presidential campaigns, the history of her influential dress shop in Alexandria, Virginia, her connections to first ladies and other D.C. tastemakers, and her exuberant embrace of Americana during the U.S. Bicentennial, this history weaves Welch’s personal biography into the literal fabric of our country.
Frankie Welch’s Americana discusses significant designs and their creation, use, and influence in detail, while highlighting how Welch embraced and promoted her role as an entrepreneur, building a niche business that capitalized on her location near Washington and her political connections. Welch was most widely l3.