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The Complete Musician: An Integrated Approach to Theory, Analysis, and Listening [Paperback]

$167.99       (Free Shipping)
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  • Category: Books (Music)
  • Author:  Laitz, Steven G., Callahan, Michael R.
  • Author:  Laitz, Steven G., Callahan, Michael R.
  • ISBN-10:  0190924500
  • ISBN-10:  0190924500
  • ISBN-13:  9780190924508
  • ISBN-13:  9780190924508
  • Publisher:  Oxford University Press
  • Publisher:  Oxford University Press
  • Pages:  960
  • Pages:  960
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jul-2023
  • Pub Date:  01-Jul-2023
  • SKU:  0190924500-11-MING
  • SKU:  0190924500-11-MING
  • Item ID: 105435284
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Oct 12 to Oct 14
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
.With a focus on music in context and a wealth of in-text and online exercises,The Complete Musicianoffers a complete program for teaching and learning undergraduate music theory. Rather than rote learning of concepts and memorizing terms, the text asks students to explore the ways in which theory informs and responds to the work of performers and composers, underscoring its relevance to students' wider musical lives.PREFACEPART 1: FOUNDATIONSCHAPTER 1A Musical Space: Pitches, Scales, and KeysCHAPTER 1B Musical Time: Meter and RhythmCHAPTER 1C Musical Distance: IntervalsCHAPTER 2 Pitch and Meter Combine: Melody and CounterpointCHAPTER 3 Triads, Seventh Chords, and TexturePART 2: FUSING MELODY, HARMONY, AND COUNTERPOINTCHAPTER 4 The Role of Context: Embellishing Tones and Melodic ShapeCHAPTER 5 Tonic, Dominant, and Voice LeadingCHAPTER 6 V7 and Two-Level AnalysisCHAPTER 7 Expanding Tonic and Dominant with First-Inversion TriadsCHAPTER 8 Inversions of V7 and Leading-Tone Seventh ChordsPART 3: ESTABLISHING, EXPANDING, AND EMBELLISHING THE PHRASE MODELCHAPTER 9 The Pre-Dominant Function and the Phrase ModelCHAPTER 10 Accented and Chromatic Embellishing TonesCHAPTER 11 Six-Four Chords and Plagal MotionsCHAPTER 12 Pre-Dominant Seventh Chords and Embedded Phrase ModelsCHAPTER 13 The Submediant and the Step-Descent BassCHAPTER 14 The Mediant and the Back-Relating DominantPART 4: SMALL FORMSCHAPTER 15 PeriodsCHAPTER 16 Sentences, Double Periods, and Asymmetric PeriodsAN INTERMEZZO ON MUSICAL MOTIVESPART 5: EXPRESSIVE COLOR THROUGH CHROMATICISMCHAPTER 17 Applied ChordsCHAPTER 18 ModulationCHAPTER 19 Harmonic SequencesCHAPTER 20 Binary Form and VariationsCHAPTER 21 Modal MixtureCHAPTER 22 Chromatic Modulation and Text-Music RelationsCHAPTER 23 Neapolitan ChordsCHAPTER 24 Augmented-Sixth ChordsPART 6: LARGE FORMSCHAPTER 25 Ternary FormCHAPTER 26 Rondo lc,
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