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China's iGeneration: Cinema and Moving Image Culture for the Twenty-First Century [Paperback]

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  • Category: Books (Performing Arts)
  • ISBN-10:  1501315749
  • ISBN-10:  1501315749
  • ISBN-13:  9781501315749
  • ISBN-13:  9781501315749
  • Publisher:  Bloomsbury Academic
  • Publisher:  Bloomsbury Academic
  • Pages:  368
  • Pages:  368
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Feb-2015
  • Pub Date:  01-Feb-2015
  • SKU:  1501315749-11-MPOD
  • SKU:  1501315749-11-MPOD
  • Item ID: 105688973
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 04 to Oct 06
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-m?moires, and works of pirated pastiche. Together, they bear witness to the emergence of a new Chinese cinema characterized by digital and, trans-media representational strategies, the blurring of private/public distinctions, and dynamic reinterpretations of the very notion of 'cinema' itself.

Matthew D. Johnsonis Assistant Professor of East Asian History at Grinnell College, US. As a doctoral student at the University of California, San Diego he conducted one of the first oral histories of China's early socialist film industry. His scholarly writing focuses on the history of the motion picture in China; documentary cinema and practice; public cultural service and security; and U.S.-China transnational relations. He is a member of the editorial board of theJournal of Chinese Cinemas.

Keith B. Wagneris an Assistant Professor of Film Studies and Social Theory in the Graduate School of Film and Digital Media at Hongik University in Seoul, South Korea. Before moving to Asia, he completed his M.Phil degree at the University of Cambridge and his PhD at King's College London. He is the co-editor ofNeoliberalism and Global Cinema: Capital, Culture l£~