Ecology and Contemporary Nordic Cinemaschallenges the traditional socio-political rhetoric of national cinema by providing an ecocritical examination of Nordic cinema. The author uses a range of analytical approaches to interrogate how the national paradigm can be rethought through ecosystemic concerns, by exploring a range of Nordic films as national and transnational, regional and local texts, all with significant global implications. By synergizing transnational theories with ecological approaches, the study considers the planetary implications of nation-based cultural production.
Challenges the traditional socio-political rhetoric of national cinema by providing an ecocritical examination of Nordic cinema.
Pietari K??p? is Lecturer in Media and Communications at University of Stirling, UK. His research work synergizes transnational film and media studies with ecocriticism. K??p? has published widely on transnational Nordic cinema and issues relating to ecocinema, including collections and articles exploring ecocritical concerns in Chinese cinema, in relation to audiences, documentary politics and minority film production.
Introduction: Environmental history and Nordic film culture
Chapter 1. Nation-building in the Nordic context: Natural history?
Chapter 2. The role of nature in the deer western and the road movie
Chapter 3. The horror film in an ecological context
Chapter 4. Ecocritical approaches to children's film
Chapter 5. Human ecology and the Nordic welfare state
Chapter 6. Green economics and the brownfields of the welfare state: crime thrillers and human ecology
Chapter 7. Intercultural approaches to Nordic cinema
Chapter 8. Ecocritical approaches to multicultural and minority cinemas
Chapter 9. Responsibility and the Nordic model: Global Nordicness and ecocosmopolitan exceptionalism
Chapter 10. Ecodocumentaries and the sense of global responsibility