Istanbul 1940 and Global Modernity: The World According to Auerbach, Tanpinar, and Edib [Paperback]

Istanbul 1940 and Global Modernity: The World According to Auerbach, Tanpinar, and Edib engages Erich Auerbachs Istanbul career and his pioneering works of comparative literature in a new light. It interprets Auerbachs works against the background of his Turkish colleagues analogous works that, like Auerbachs masterpieces, were drafted at Istanbul University in the 1940s. Unlike Auerbachs writings, which center around Western literary cultures and Christianity, these Turkish writings trace non-Western, largely Islamicate cultural histories. The critic, novelist, and poet Ahmet Hamdi Tanpinar (19011962) and his illustrious senior, the Muslim feminist, humanist, and novelist Halide Edib (18841964) focused on Middle Eastern and South Asian cultural trajectories. In addition to offering groundbreaking insights into their respective cultural legacies, Auerbach, Tanpinar, and Edib elaborated extensively on the intercrossing that is their meeting place, the chiasmic space of modern literature. Interpreting their writings as the work of a collective, Istanbul 1940 and Global Modernity examines the new paths these critics opened for theorizing literary modernity, world literature, and the comparative study of literature and religion.E. Khayyat is assistant professor of comparative literature and Middle Eastern languages and literatures at Rutgers University.In this book, which combines well-known figures such as Erich Auerbach and Orhan Pamuk with lesser known ones such as Halide Edib and Ahmet Hamdi Tanpinar, E. Khayyat takes us into the literary world of Istanbul, which gave rise to a new understanding of world literature. This is a book only Khayyat could have written. Martin Puchner, Harvard University

Introduction: Comparativism, Analogy, and World Literature



Part One: How to Turn Turk

Introduction

Chapter One: Auerbachs Orients

Chapter Two: The Modern Malaise and the Figure

Conclusion



Part Two: The l³–