The Dress of Women: A Critical Introduction to the Symbolism and Sociology of Clothing [Hardcover]

Originally serialized in 1915 inThe Forerunner, and never before published in book form,The Dress of Womenpresents Gilman's feminist sociological analysis of clothing in modern society. Gilman explores the social and functional basis for clothing, excavates the symbolic role of women's clothing in patriarchal societies, and, among other things, explicates the aesthetic and economic principles of socially responsible clothing design. The introduction, by Hill and Deegan, situatesThe Dress of Womenwithin Gilman's intellectual work as a sociologist, and relates her sociological ideas to the themes she developed in some of her other works.

Although written in 1915, Gilman's treatment of clothing and dress remains relevant. This pioneering effort adds substantially to Gilman's reputation as a sociological theorist and feminist. In addition, it represents one of the earliest full-length specifically sociological analyses of clothing and the fashion industry. Ultimately, the author concludes that harmful and degrading aspects of women's dress are amenable to reform if men and women will work together rationally to change the controlling institutional patterns of the society in which they live. This groundbreaking work will appeal to those interested in Gilman, feminist theory, sociological theory, social psychology, women's literature, and women's studies.

CHARLOTTE PERKINS GILMAN was an eminent feminist sociologist and novelist, perhaps best known forWomen in Economics(1898) and, as a fiction writer, for her semi-autobiographical work The Yellow Wallpaper (1892).

MICHAEL R. HILL is an interdisciplinary social scientist at the University of Nebraska-Lincoln and holds doctorates in both sociology and geography. He is the author ofWalking, Crossing Streets and Choosing Pedestrian Routes(1984) andArchival Strategies and Techniques(1993), and editor or co-editor of Harriet Martineau'sWomen and Symbolic Interacl³9