The Emergence of Modern Aesthetic Theory: Religion and Morality in Enlightenment Germany and Scotland [Hardcover]

This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.The history of aesthetic theory - the philosophical analysis of art and beauty - matters to nearly every discipline in the humanities and social sciences. Broad in its geographic scope yet grounded in original archival research, this book offers a strikingly new portrait of aesthetic theory's inception in the early eighteenth century.The history of aesthetic theory - the philosophical analysis of art and beauty - matters to nearly every discipline in the humanities and social sciences. Broad in its geographic scope yet grounded in original archival research, this book offers a strikingly new portrait of aesthetic theory's inception in the early eighteenth century.Broad in its geographic scope and yet grounded in original archival research, this book situates the inception of modern aesthetic theory  the philosophical analysis of art and beauty - in theological contexts that are crucial to explaining why it arose. Simon Grote presents seminal aesthetic theories of the German and Scottish Enlightenments as outgrowths of a quintessentially Enlightenment project: the search for a natural 'foundation of morality' and a means of helping naturally self-interested human beings transcend their own self-interest. This conclusion represents an important alternative to the standard history of aesthetics as a series of preludes to the achievements of Immanuel Kant, as well as a reinterpretation of several canonical figures in the German and Scottish Enlightenments. It also offers a foundation for a transnational history of the Enlightenment without the French philosophes at its centre, while solidly endorsing historians' growing reluctance to call the Enlightenment a secularising movement.1. Christian Wolff's critics and the foundation of morality; 2. Pietist aisthesis, moral education, and the beginnings of aesthetic theory; 3. Alexander Baumgarlc�