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The Stooges: Head On: A Journey Through The Michigan Underground (painted Turtle Books) [Paperback]

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  • Category: Books (Biography & Autobiography)
  • Author:  Brett Callwood
  • Author:  Brett Callwood
  • ISBN-10:  0814334849
  • ISBN-10:  0814334849
  • ISBN-13:  9780814334843
  • ISBN-13:  9780814334843
  • Publisher:  Wayne State University Press
  • Publisher:  Wayne State University Press
  • Pages:  161
  • Pages:  161
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jan-2011
  • Pub Date:  01-Jan-2011
  • SKU:  0814334849-11-MPOD
  • SKU:  0814334849-11-MPOD
  • Item ID: 106641730
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Oct 10 to Oct 12
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
If the MC5 were Detroits political spokesmen for the disenchanted youth of the 1960s, then the Stooges were the loutish kids, heckling from the back of the room. While conventional wisdom says they could barely play their instruments, the Stooges left an indelible mark on the world of punk rock, and the bands initial three albumsThe Stooges, Fun House and Raw Powerare bona fide classics. In The Stooges: Head On author Brett Callwood treats the bands story not just as an early chapter in the career of its famous front man, Iggy Pop, but from the Stooges beginnings at the end of the 1960s, to its end in the early 1970s, and to its reunion in 2003 through the present. In compiling this exhaustive account of the bands history, Callwood interviewed all of the central and sometimes Stooges members, including Iggy Pop, Ron and Scott Asheton, James Williamson, Mike Watt, Steve Mackay, and Scott Thurston, and largely lets the band tell its own story in numerous long quotes. Callwood details the bands genesis as teenage friends in Ann Arbor, their time living together in their legendary party houses in the 1960s, and the recording of the three original Stooges albums. He examines the addition of James Williamson to the band on Raw Power and how it changed the bands sound and dynamic, along with the bands fateful meeting with David Bowie on its first British tour. As Iggy broke out as a solo artist during the 1970s and 1980s, Callwood charts the Asheton brothers post-Stooges experiences, with Rons turns in The New Order, Destroy All Monsters, and Dark Carnival, and Scott Ashetons time with the Farleys and Sonics Rendezvous Band. He also provides an overview of Iggys solo career, the seeds of a reunion that were planted with a collaboration on Iggys Skull Ring album, and the eventual reformation of the band and the recording of their fourth album, The Weirdness, in 2004. Originally published in the U.K. in 2007, The Stooges: Head On has been revised to expand onl3#
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