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Moral Agents: Eight Twentieth-Century American Writers [Hardcover]

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  • Category: Books (Biography & Autobiography)
  • Author:  Mendelson, Edward
  • Author:  Mendelson, Edward
  • ISBN-10:  1590177762
  • ISBN-10:  1590177762
  • ISBN-13:  9781590177761
  • ISBN-13:  9781590177761
  • Publisher:  New York Review Books
  • Publisher:  New York Review Books
  • Pages:  224
  • Pages:  224
  • Binding:  Hardcover
  • Binding:  Hardcover
  • SKU:  1590177762-11-SPLV
  • SKU:  1590177762-11-SPLV
  • Item ID: 106840051
  • List Price: $21.95
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  • Delivery by: Sep 26 to Sep 28
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A deeply considered and provocative new look at major American writers—including Saul Bellow, Norman Mailer, and W.H. Auden—Edward Mendelson’s Moral Agents is also a work of critical biography in the great tradition of Plutarch, Samuel Johnson, and Emerson. Any important writer, in Mendelson’s view, writes in response to an idea of the good life that is inseparable from the life the writer lives. 

Fusing biography and criticism and based on extensive new research, Moral Agents presents challenging new portraits of eight writers—novelists, critics, and poets—who transformed American literature in the turbulent twentieth century. Eight sharply distinctive individuals—inspired, troubled, hugely ambitious—who reimagined what it means to be a writer.

There’s Saul Bellow, a novelist determined to rule as a patriarch, who, having been neglected by his father, in turn neglected his son in favor of young writers who presented themselves as his literary heirs. Norman Mailer’s extraordinary ambition, suppressed insecurity, and renegade metaphysics muddled the novels through which he hoped to change the world, yet these same qualities endowed him with an uncanny sensitivity and deep sympathy to the pathologies of American life that make him an unequaled political reporter. William Maxwell wrote sad tales of small-town life and surrounded himself with a coterie of worshipful admirers. As a powerful editor at The New Yorker, he exercised an enormous and constraining influence on American fiction that is still felt today.

Preeminent among the critics is Lionel Trilling, whose Liberal Imagination made him a celebrity sage of the anxiously tranquilized 1950s, even as his calculated image of Olympian reserve masked a deeply conflictedlĂz

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