From the end of the twentieth century onwards space has become a hot topic in literary studies. This thesis contributes to the spatial turn by focusing on space in archaic Greek lyric (7th5th c bc). A theoretical framework inspired by narratology, phenomenology and metaphor theory is applied to archaic lyric poems in which city, countryside and sea are of importance. Heirman argues that space is predominantly symbolic: the city is a political or an erotic metaphor, the countryside an erotic symbol, and the sea a symbol of danger. He also attempts to connect the symbolism of space with the context of the symposium, in which the lyric poems were performed: city metaphors are linked with sympotic plays of guessing, the erotic activities in the countryside reveal a projection of erotic fantasies of the symposiasts, and the danger at sea serves to reinforce the cohesion of the sympotic group.From the end of the twentieth century onwards space has become a hot topic in literary studies. This thesis contributes to the spatial turn by focusing on space in archaic Greek lyric (7th5th c bc).Jo Heirman was educated at Ghent University (Belgium), where he obtained a Masters Degree in Classics in 2008. In 2008 he was appointed as a PhD-researcher for a project of Irene de Jong on Space in Ancient Greek Literature at the University of Amsterdam. He has written several articles on space which combine classics and literary theory. By the end of 2012 he will have edited a conference volume on the ideological role of space in ancient and modern literature with Jacqueline Klooster (The Ideologies of Lived Space in Literature: Ancient and Modern, Academia Press Ghent).INTRODUCING SPACE IN LYRIC 1. A THEORETICAL FRAMEWORK OF SPACE 2. THE CITY 3. THE COUNTRYSIDE 4. THE SEA 5. CONCLUSION EPILOGUE: THE SYMBOLISM OF SPACE AND THE SYMPOSIUM, BIBLIOGRAPHY, INDEX OF PASSAGES, SUMMARY.US? J. Heirman / Taylor & Francis Group 2012