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Biopunk Dystopias Genetic Engineering, Society and Science Fiction [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Schmeink, Lars
  • Author:  Schmeink, Lars
  • ISBN-10:  1781383766
  • ISBN-10:  1781383766
  • ISBN-13:  9781781383766
  • ISBN-13:  9781781383766
  • Publisher:  Liverpool University Press
  • Publisher:  Liverpool University Press
  • Pages:  288
  • Pages:  288
  • Binding:  Hardcover
  • Binding:  Hardcover
  • SKU:  1781383766-11-MPOD
  • SKU:  1781383766-11-MPOD
  • Item ID: 106923780
  • Seller: ShopSpell
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  • Delivery by: Oct 11 to Oct 13
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
Biopunk Dystopiasanalyses 21st century cultural anxieties and dystopian visions about the consequences of biotechnology, especially genetic engineering, as part of contemporary social reality.Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of biopunk , a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today (40). The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends. Each discussion engages thoroughly with relevant scholarship, from biopolitics to game studies to creature films and the horror genre. Together, they make a convincing case that biological themes are prominent in contemporary sf across media, appearilƒD
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