A collection of essays on archiving the history of hip-hop, featuring a range of official, unofficial, DIY, and community archives.Despite the vast popularity and cultural influence of hip-hop, efforts to archive its history are still in fairly early stages. This book focuses on the cultural and political aspects of those undertakings. It addresses practical aspects, including methods of collection, curation, preservation, and digitization, and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications of hip-hop culture’s enduring tensions with dominant social values. A wide swath of hip-hop culture is covered by the contributors, including dance, graffiti, clothing, and battle rap.
Mark V. Campbellis a DJ, curator, and assistant professor of music and culture at the University of Toronto Scarborough.
Murray Formanis professor of media and screen studies at Northeastern University.
List of Figures vii
Acknowledgments ix
Introduction: An Archival State of Mind xiii
Mark V. Campbell
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SECTION 1: DOING THE KNOWLEDGE 1
1. The Hip Hop Archive and the High School Student:?Symbiotic Knowledge Disruption 3
Kulsoom Anwer Shaikh
2. Hip Hop as a Practical and Methodological Issue:?Libraries in Russia 19
Sergey Ivanov
3. Hip Hop Dance and the Circulation of Breaking?Footage 41
Mary Fogarty and Jason J-Sun Noer
4. The Black History 101 Mobile Museum and the?Michigan Hip-Hop Archive 57
Khalid El-Hakim
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SECTION 2: CHALLENGING ARCHIVAL FORMS 77
5. As We Walk through the Archived Files of All Styles:?Archival Practices and Cultural Memory on Battle Rap?Forums 79
Sean Robertson-Palmer
6. The Responsibilities and Challenges of Community-Engaged Archives:?Lessons from Buildinlc‚