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Visions of the Villageoffers a new look at the cultural, social, and political context of operas by some of the most famous Czech composers in history. Beginning the study in the works of the 1860s, author Christopher Campo-Bowen analyzes the work of Bed%rich Smetana, Anton?n Dvo%r?k, and Leoa Jan?ek, among others, demonstrating how Czech identity was constructed through reference to operatic representations of idealized village life.Visions of the Villageoffers a nuanced account of the cultural history, political salience, and social resonances of Czech village operas, especially those by composersBed%rich Smetana,Anton?n Dvo%r?k, andLeoa Jan?ek. By examining music-critical writings, institutional and government records, letters, and other archival sources, Christopher Campo-Bowen examines how musical representations of the idealized village acquired and provided meaning for Czech audiences, serving as the basis for understandings of a wide range of sociocultural and political issues, including gender, class, nationalism, imperialism, ethnicity, and race.This book explores how operas like Smetana'sThe Bartered Bride, Dvo%r?k'sThe Devil and Kate, and Jan?ek'sJenofaserved as focal points for the articulation of an essentialist sense of Czech identity. In addition to composers and their operas, Campo-Bowen investigates the output of critics, administrators, and other urban intellectuals like Otakar Hostinsk?, Frantiaek Adolf %Subert, and Zdenk Nejedl? to understand the impact of village operas on public discourse. Through this in-depth analysis, this book uncovers how music functions at the nexus of the desire for politically resonant ethnoracial identities and the representation of ruralness, from the nineteenth century to the present.To comeIntroductionChapter 1. Building the Operatic Village: Composers, Ethnicity, and Czech IdentityChapter 2. The Village on Display: Opera and Exhibitions in th