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African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 2: FESPACOFormation, Evolution, Challenges [Hardcover]

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  • Category: Books (Performing Arts)
  • ISBN-10:  0253066247
  • ISBN-10:  0253066247
  • ISBN-13:  9780253066244
  • ISBN-13:  9780253066244
  • Publisher:  Indiana University Press
  • Publisher:  Indiana University Press
  • Pages:  658
  • Pages:  658
  • Binding:  Hardcover
  • Binding:  Hardcover
  • SKU:  0253066247-11-MPOD
  • SKU:  0253066247-11-MPOD
  • Item ID: 106966152
  • Seller: ShopSpell
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  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.

Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World.

This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.

US

Michael T. Martin is Professor of Cinema and Media Studies at the Media School at Indiana University Bloomington. He is editor or coeditor of several anthologies, including (with David C. Wall)The Politics and Poetics of Black Film: Nothing But a ManandRace and the Revolutionary Impulse in The Spook Who Sat by the Door. Martin directed and coproduced the award-winning feature documentary on Nicaragua,In the Absence of Peace, distributed by Third World Newsreel. Gaston Jean-Marie Kabor? is a film director, producer, and screenwriter and the former director of the Centre National du Cin?ma in Burkina Faso.

Dedication
Acknowledgments
Preface, by Ardiouma Soma
African Cinema and the Diasporic: Introductory Considerations, by Michael T. Martin and Gaston Jean-Marie Kabor?
Part I: Sites and Contexts of Exhibition
African Film Festivals in Afrlc'

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