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100 Notes on Violence [Paperback]

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  • Category: Books (Poetry)
  • Author:  Carr, Julie
  • Author:  Carr, Julie
  • ISBN-10:  1632431092
  • ISBN-10:  1632431092
  • ISBN-13:  9781632431097
  • ISBN-13:  9781632431097
  • Publisher:  Omnidawn
  • Publisher:  Omnidawn
  • Pages:  124
  • Pages:  124
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1632431092-11-MING
  • SKU:  1632431092-11-MING
  • Item ID: 107014296
  • List Price: $19.95
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Sep 28 to Sep 30
  • Notes: Brand New Book. Order Now.
Back in print, Carr’s powerful poems seek out and face violence and its counterforces.

Julie Carr obsessively researches instances of intimate terrorism, looking everywhere from Walt Whitman and Emily Dickinson to lists of phobias and weapon-store catalogs. She searches for what can be learned from the statistics, the statements by and about rapists and killers, the websites of hate groups, and the capacity for cruelty that lies within all of us.100 Notes on Violenceis a diary, a document, and a dream log of the violence that grips America and devastates so many. But Carr also offers a layered and lyric tribute to violence’s counterforces: love, commonality, and care. Her unflinching “notes” provoke our minds and burrow into our emotions, leading us to confront our fears and our own complicity.
 Julie Carris the author of ten books of poetry and prose, includingObjects from a Borrowed Confession,Someone Shot my Book, andReal Life: An Installation, the latter also published by Omnidawn. With Jeffrey Robinson, she is the coeditor ofActive Romanticism. She is the cofounder of Counterpath Press, Counterpath Gallery, and Counterpath Community Garden in Denver. Carr is professor at the University of Colorado Boulder in the Department of English and the Intermedia Art, Writing and Performance program.
 
"A sprawling experimental poem in 100 parts, Carr's third collection variously examines the ways violence permeates our daily lives. Part personal reflection, part research project, Carr echoes writers and thinkers from Dickinson and Whitman to Bataille and Sontag."
“When Carr’s poems sit in their own terrified piss, it isn’t for comfort, as Corman’s child does, but because they want to articulate the world through experience of violence. They want to, and—childlike—they can’t. Their stuttering and theilƒ<