A provocative reassessment of a popular narrative that connects museums, the antiquities trade, and theft. In this thought-provoking new work, historian Justin M. Jacobs challenges the widely accepted belief that much of Western museums’ treasures were acquired by imperialist plunder and theft. The account reexamines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artifacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian, and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative of hope and promise for a brighter, more equitable future—a compelling reassessment of one of the institutional pillars of the Enlightenment.
Justin M. Jacobsis professor of history at American University, Washington, DC. His books include
The Compensations of Plunder: How China Lost Its Treasures.
Introduction Chapter 1: Presents and Plunder Chapter 2: Dealers Chapter 3: Excavations and Expeditions Conclusion References Select Bibliography AcknowledgementsPhoto AcknowledgementsIndex
"A growing strand of revisionist scholarship . . . sees Western museums as little more than symbols of imperial spoliation. InPlunder? How Museums Got Their Treasures, the historian Jacobs sets out to upend this view. . . . The strength of Jacobs’s . . . polemic is to remind us that the origins of great museum collections cannot be reduced to any one story."
"Jacobs is a historian of antiquities and archaeology who is fed up with 'simplistic bedtime stories' about how museums assembled their collections. He objects to the prevailing discourse that regards Western museums as illegitimate repositol£(