Now with an original introduction by David Brooks,Radical Chic and Mau-Mauing the Flak Catchersis a funny and irreverent study ofclass and status by the master of New Journalism.
Tom Wolfes two-act dissection of 1970s race relations in America is incisive and thought-provoking, an indispensable study in how white pieties have often worked against the interests of Black communities in the country.
Wolfe first takes readers back to his original hotbed of 1970s radical chic: the party for the Black Panthers that Leonard Bernstein and his wife, Felicia, hosted at their Park Avenue penthouse. Wolfes unerring eye for the uncanny feasts on an improbable scene that would morph into todays cocktail activismwell-heeled elites signifying their sympathy with causes related to Black emancipation through hobnobbing.
Mau-Mauing the Flak Catchers, meanwhile, unfolds on the other side of the country, in San Franciscos Office of Economic Opportunity, where Wolfe details with Kafkaesque absurdity the dysfunction, chaos, and corruption that waylays this outgrowth of the War on Poverty so that it inevitably ends up failing the underserved communities its supposed to help.
Tom Wolfe(19302018) was one of the founders of the New Journalism movement and the author of more than a dozen books, including such contemporary classics as
The Electric Kool-Aid Acid Test,
The Right Stuff, and
Radical Chic & Mau-Mauing the Flak Catchers, as well as the novels
The Bonfire of the Vanities,
A Man in Full, and
I Am Charlotte Simmons. He is credited with coining the term the Me Decade. Among his many honors, he was awarded the National Book Award, the John Dos Passos Prize, the Washington Irving Medal for Literary Excellence, the National Humanities Medal, and the National Book Foundation Medal for Distinguished Contribution to American Letters. He lived in New York City.
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