This book explores the issue of cultural mobility within the interwar network of the European avant-garde, focusing on selected writers, artists, architects, magazines and groups from Poland, Belgium and Netherlands. Regardless of their apparent linguistic, cultural and geographical remoteness, their mutual exchange and relationships were both deep and broad, and of great importance for the wider development of interwar avant-garde literature, art and architecture. This analysis is based on a vast research corpus encompassing original, often previously overlooked periodicals, publications and correspondence gathered from archives around the world.
List of figures
List of tables
Acknowledgements
List of abbreviations of consulted institutions and repositories
Introduction
Chapter 1: Polish, Belgian and Dutch avant-garde formations, their mutual contacts and cultural mobility within the international network of groups and periodicals
1.1. Interwar avant-garde formations of Dutch, Belgian and Polish provenance
1.2. Cultural mobility between Polish and Belgian avant-garde formations
1.2.1. Traces of Polish-Belgian cultural mobility in Belgian avant-garde periodicals
1.2.2. Traces of Polish-Belgian cultural mobility in Polish avant-garde periodicals
1.3. Cultural mobility between Polish and Dutch avant-garde formations
1.3.1. Traces of Polish-Dutch cultural mobility in Dutch avant-garde periodicals
1.3.2. Traces of Polish-Dutch cultural mobility in Polish avant-garde periodicals
1.4. Traces of Polish-Dutch and Polish-Belgian cultural mobility in relevant international avant-garde periodicals
1.5. Cross-referencing
1.6. Preliminary observatl3V