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Devotional Music in the Iberian World, 14501800: The Villancico and Related Gen [Paperback]

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  • Category: Books (Music)
  • Author:  Torrente, ?lvaro
  • Author:  Torrente, ?lvaro
  • ISBN-10:  1138265349
  • ISBN-10:  1138265349
  • ISBN-13:  9781138265349
  • ISBN-13:  9781138265349
  • Publisher:  Routledge
  • Publisher:  Routledge
  • Pages:  512
  • Pages:  512
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1138265349-11-MPOD
  • SKU:  1138265349-11-MPOD
  • Item ID: 107080238
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 4 business days
  • Delivery by: Sep 28 to Sep 30
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.Contents: Preface; Introduction, Tess Knighton and ??lvaro Torrente; Waving ensaladas, Pepe Rey; Song migrations: the case of Ador??moste, Se??or, Tess Knighton; The villancico in the works of early Castilian playwrights (with a note on the function and performance of the musical parts), Alberto del R??o; Function and liturgical context of the villancico in Salamanca Cathedral, ??lvaro Torrente; 'The third villancico was a motet': the villancico and related genres, Andrea Bombi; The villancico as music of state in 17th-century Spain, Pablo-L. l3I
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