Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s [Paperback]

This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000.

Acknowledgements

1. Introduction
2. Chapter 1: Uno: Mister, Dont Touch the Banana: Transculturation, Networks of Proximity, and US Cuban Theater
3. Chapter 2: Dos: Momento renacentista: US Cubans and Latine Off-Off-Broadway
4. Chapter 3: Tres: ?Ay mama In?s!: Gender, Ethnicity, Blackness, and Racism
5. Chapter 4: Cuatro: La vida en rosa: Carmelita Tropicanas Performative Excess
6. Chapter 5: Cinco: ''Todos por lo mismo'': From Bridges to Greater Cuba

Index

This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000.

Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Corti?as, Mar?a Irene Forn?s, Eduardo Machado, Manuel Mart?n Jr., and Carmelita Tropicana as well as these playwrights participation in three foundational Latine theater projects --INTARs Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 200lC—