The need for a research volume on European theatre music and sound is almost self-evident.??This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music.
Part 1 Setting the Scene 1. What Is Theatre Music? 2. More Connecting Than Dividing Features? On Historical Precedents of Contemporary Theatre Music Part 2 Theatre Music and Musical Heritages in Transition 3. For Your Time Draweth Fast, If Ye Will Saved Be: Ephemerality, Materiality, and the Challenges of Archiving the Theatre Music of the Play Jedermann 4. Kilam as Theatre Music in Kurdish Theatre in Turkey 5. Ways of Listening: Maqam Music on the Contemporary Stage 6. Mixtape Dramaturgy: The Case of Jan Klata Part 3 Theatre Music and/as Performance 7. Theatre Music as Theatrical Scene: Reflections on a Disciplinary Dilemma 8. Staging (Theatre) Music Reception: Voicing Unacoustics in Sophocles Trackers 9. More Than Unseen Sounds: Foley on Stage. Performing Live Sound Effects as Musico-Theatrical Practice Part 4 Theatre Music and/as Experience 10. Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience 11. The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a Literary Theatre 12. At the Interface of Theatre Music and Music Theatre: Monika Roschers Music for Ulrich Rasches Stagings in the Mirror of Reviews 13. The Relationship between Storytelling and Sound Experience in Theatre for Young Audiences Part 5 Theatre Music Between and Beyond Genres 14. Performance Worlds? Reflections on Music Theatre Scenes Formerly Called l!