This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text.
Contents
List of Contributors
Acknowledgements
Introduction
Part I: New Metaphors for Progressive Intertextuality
1. Authorship, the mezzanine, and the intercession of meaning: a metaphysics of the creative writing process
Philip Miles
2. De-disciplining criticism: refiguring reading as a mode of response-ability
Ruth Daly
Part II: Progressive Intertextuality & Inclusivity
3. The Blind as Seen Through Blind Eyes: An Intertextual Approach to Visual Impairment in James Joyces Ulysses (1922)
Cleo Hanaway-Oakley
4. Grotesque Mat(t)er: Materiality and Matrilineality in Maggie OFarrells Hamnet (2020)
Orlagh Woods
Part III: Progressive Intertextuality & Interdisciplinarity
5. Yardbird Suite: Jazz, Double Consciousness, and the Reverberations of the Harlem Renaissance in Stewart Parkers Pentecost (1987)
Matthew Fogarty
6. Novel Art: The Contemporary Turn Towards Ekphrasis
Monika Gehlawat