Revisiting the Historiography of Postwar Avant-Garde Music [Paperback]

This collection of essays delves into the historiographical traditions that have dominated how the stories of European postwar avant-garde music are told, seeking to approach commonplaces of that history writing from new perspectives. The contributors revisit subjects as varied as the impact of long-playing records on the emergence of open works, Messiaens interest in non-European musical traditions, Xenakiss turn to information theory, Kagels strategic invention of a new genre, Berios dependence on funding from American foundations, and the ways in which figures like Boulez, Stockhausen, Pousseur, and Nono constructed their musical ancestries. Leading experts in their respective fields, the volumes authors have sought to rethink the historiography of European experimental music of the 1950s, 1960s, and 1970s in ways that resituate that small but influential milieu in broader historical and cultural contexts. In doing so, they suggest new directions and insights for students and specialists of twentieth-century music and music historiography.

1 Introduction: Revisiting Old Stories of New Music

Anne-Sylvie Barthel-Calvet and Christopher Brent Murray

2 Recent Histories of Twentieth-Century Music and the Historiographical Tradition

Martin Kaltenecker

3 Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono

Pascal Decroupet

4 Inventing a Genre: Mauricio Kagel and Instrumental Theater

Jean-Fran?ois Trubert

5 The Songs of Koma Pio and Hele Marsiale in Olivier Messiaens ?le de feu Etudes

Christopher Brent Murray

6 A New Patronage Model in Postwar America: Luciano Berio, Philanthropy, and the Economics of Culture