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Shakespeares Politic Histories: The Italian Connection [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Cameron, John H.
  • Author:  Cameron, John H.
  • ISBN-10:  1032523085
  • ISBN-10:  1032523085
  • ISBN-13:  9781032523088
  • ISBN-13:  9781032523088
  • Publisher:  Routledge
  • Publisher:  Routledge
  • Pages:  248
  • Pages:  248
  • Binding:  Hardcover
  • Binding:  Hardcover
  • SKU:  1032523085-11-MPOD
  • SKU:  1032523085-11-MPOD
  • Item ID: 107104354
  • Seller: ShopSpell
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  • Delivery by: Oct 06 to Oct 08
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.

This book argues that close readings of Shakespeares early English History plays informed by the Italian politic histories of the early modern period, that sought to explore the machinations of power politics in governance and in the shaping of historical events; will greatly aid our understanding of the politic qualities dramatized

This book posits that Shakespeares First Tetralogy draws inspiration from the Italian politic histories of the early modern period. These works of history, influenced by the Roman historian Tacitus, delve into the exploration of the machinations of power politics in governance and the shaping of historical events. The argument is that closely analysing these Italian politic histories can significantly enhance our understanding of the politic aspects dramatized in Shakespeares early English History plays. Specifically, the writings of Niccolo Machiavelli are highlighted as contributing to this understanding. These politic histories were accessible (in a variety of forms) to many English early modern writers, including Shakespeare. Thus, they serve as foundation for political and strategic analogies, enriching our interpretation of Shakespeares politic histories.

While delving into the Italian politic historians can illuminate Shakespeares achievement, it is suggested that we should regard the English History plays as politic histories in their own right. In essence, they are dramatized versions of precisely the same kinds of politic historical writing, with its emphasis on ragion di Stato or raison d?tat. This emphasis on what the Elizabethans called stratagems introduces new approaches to interpreting the plays. Considering the motivation and action of its characters entails novel approaches that challenge the established reading of the plays Machiavellian characters (particularly Richard III) and shed light on previously overll³6

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