Part 1: Methodologies of Listening? 1. Listening to Noise: Lines of Affinity and Feminist Sono-Techno-Political artivisms from the South? 2. Listening to our Listening: Deep Listening in Critical Sites? 3. Unlistening? 4. Listening With, or the Impossibility of Inhabiting Anothers Ears? 5. The weak power of listening: a conversation between Ayreen Anastas, Rene Gabri and Rolando V?zquez? Part 2: Apparatuses of Listening? 6. Audible Ghosts? 7. Technologies, Precariousness and Coloniality? 8. Addressing Deep Code Problems: Listening to Opera Through the Worlds Liveness? 9. Endarkened Listening? 10. Amplified States: Listening as Coming to Know? Part 3: Cultures of Situated Listening? 11. The Sound of Hate: White Nationalist Epistemology and Neo Nazi Nation Building on Telegram? 12. Mythic Sonic Beings: A Multitrack Conversation? 13. The Sonic Sensorium. Listening with the un(der)heard? 14. Transperceptive Listening: Sonic Meditations for a Pluriverse? 15. Collaborative composition: An exchange of sounding
Situated Listening sets forth a collection of novel methodologies and creative proposals for listening, advancing the framework of situated listening as both a theoretical concept and a methodological practice.
Situated Listening is a robust theoretical and methodological guide for building situated sonic knowledges. Through diverse and collaborative conversations and co-narratives, the volume offers new insights on the listening body, the sonic politics of place, space, and culture, and how human and technological biases inform what is heard and unheard.
Milena Droumeva, Glenfraser Endowed Professor in Sound Studies, SFU
This book writes listening in collective but myriad lines that challenge us?not to hear but to imagine within its plural and collabolƒ)