CHAPTER 1: ERAS AND TECHNIQUES
STUDENT WORKS 19531963
SERIAL PERIOD 19631971
Serialism Sonorism: Ligeti and the Polish School
FUNEREAL AND RELIGIOUS WORKS 19721980
Funereal Works: Schnittkes Quiet Period Religious Works Liturgical Allusions in Instrumental Works Representations of the Cross Common-Mediant Chord Relations Bells
POLYSTYLISM 19681991
Representations of Evil: Popular Music and the Banal Bach and the Baroque Monograms Harmonic and Contrapuntal Techniques Non-tonal Triadic Relations The [0,1,6,7] Pitch Set Schnittke Stretto Structural Innovations Sonoristic Cadences Coda as Exposition
LATE STYLE 19851994