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Genial Perception is an authoritative, wide-ranging account of how the Romantic idea of creative genius- popularized by Wordsworth and Coleridge as an unmediated, transcendent, sui generis phenomenon- evolves out of traditional, common, critical languages, the philological demonstration of which grounds Romantic claims in history and culture while illuminating eighteenth-century aesthetics itself.Genial Perception offers a critical examination of Wordsworth's and Coleridge's naturalist construction of creative and critical perception, and a historical study of the perceptual dimension of poetic taste. Genial is the adjectival form of genius, and eighteenth-century critical naturalism understands genial perception as a gift of nature, as an inborn power operating autonomously through the senses and imagination and thus independently of cultural influence.
By exploring the philology of keywords and binaries inherited by the two poet-critics and used to describe and interpret their perceptual experience, both creative (imaginative) and critical, Genial Perception traces how that experience reveals an unacknowledged indebtedness to discourse and language, having been silently and perhaps unconsciously shaped by patterns and trends in the literary culture in which Wordsworth and Coleridge came of age.