A Director's Guide to Stanislavsky's Active Analysisdescribes Active Analysis, the innovative rehearsal method Stanislavsky formulated in his final years. By uniting 'mental analysis' and '?tudes', Active Analysis puts an end to the problem of mind-body dualism and formalized text memorization that traditional rehearsal methods foster.
The book describes Active Analysis both practically and conceptually; Part One guides the reader through the entire process of Active Analysis, usingA Midsummer Night's Dreamas a practical reference point. The inspiration here is the work of the Russian director Anatoly Efros, whose pioneering work led the way for a reawakening of theatre in post-Soviet Russia. Part Two is the first English translation of Maria Knebel's foundational article about Active Analysis. Knebel was hand-selected by Stanislavsky to carry his final work forward in unadulterated form for succeeding generations of directors and actors.
A Director's Guide to Stanislavsky's Active Analysisprovides the first detailed explanation of Active Analysis from the director's perspective, while also meeting the needs of actors who seek to enhance their creative involvement in the process of play production.
James Thomas, Professor and Graduate Officer at Wayne State University, Detroit, is a graduate of St. Ambrose College (BA), Villanova University (MA), and the University of Texas at Austin (PhD). He came to WSU from Florida State University, where he was Associate Dean of the School of Theatre. His most recent directing credits include
Marriage,
The Seagull,
The Inspector General, and
Death of a Salesmanat the Hilberry Theatre, and
The Skin of Our Teeth,
A Flea in Her Ear, and
Ah-Wilderness!at the Bonstelle Theatre. His publications include
Script Analysis for Actors, Directors and Designers,
The Art of the Actor-Manager: Wilson Barrett and the Victorian Theatre, and l(