Beyond the Sovereign Self: Aesthetic Autonomy from the Avant-Garde to Socially Engaged Art [Hardcover]

InBeyond the Sovereign SelfGrant H. Kester continues the critique of aesthetic autonomy begun inThe Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myre and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements.USGrant H. Kester continues the critique of aesthetic autonomy begun inThe Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice.Grant H. Kester is Professor of Art History at the University of California, San Diego, author ofThe Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-GardeandThe One and the Many: Contemporary Collaborative Art in a Global Context, and coeditor ofCollective Situations: Readings in Contemporary Latin American Art, 1995–2010, all also published by Duke University Press.“In a superlative demonstration of a hypothesis in action, Grant H. Kester’s definitive studyBeyond the Sovereign Selfeffectively melts down, then reimagines our stagnated concepts of alÃ4