In
Climatic Media, Yuriko Furuhata traces climate engineering from the early twentieth century to the present, emphasizing the legacies of Japan’s empire building and its Cold War alliance with the United States. Furuhata boldly expands the scope of media studies to consider technologies that chemically “condition” Earth’s atmosphere and socially “condition” the conduct of people, focusing on the attempts to monitor and modify indoor and outdoor atmospheres by Japanese scientists, technicians, architects, and artists in conjunction with their American counterparts. She charts the geopolitical contexts of what she calls
climatic mediaby examining a range of technologies such as cloud seeding and artificial snowflakes, digital computing used for weather forecasting and weather control, cybernetics for urban planning and policing, Nakaya Fujiko’s fog sculpture, and the architectural experiments of Tange Lab and the Metabolists, who sought to design climate-controlled capsule housing and domed cities. Furuhata’s transpacific analysis offers a novel take on the elemental conditions of media and climate change.USYuriko Furuhata traces climate engineering from the early twentieth century to the present, showing how a range of Japanese scientists, technicians, architects, and artists developed technologies to monitor, condition, and modify climate.Yuriko Furuhata is Associate Professor and William Dawson Scholar of Cinema and Media History in the Department of East Asian Studies at McGill University and author of
Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics, also published by Duke University Press.
“Climatic Mediais a groundbreaking project that will have far-reaching resonances and implications across the humanities and social sciences. Given its critical rigor, deeply engaging analysis, and the wide-ranging readership it forges,Climatic MediaislS›