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The Bloomsbury Handbook to Cold War Literary Cultures [Paperback]

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  • Category: Books (Literary Criticism)
  • ISBN-10:  1350304530
  • ISBN-10:  1350304530
  • ISBN-13:  9781350304536
  • ISBN-13:  9781350304536
  • Publisher:  Bloomsbury Academic
  • Publisher:  Bloomsbury Academic
  • Pages:  456
  • Pages:  456
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1350304530-11-MPOD
  • SKU:  1350304530-11-MPOD
  • Item ID: 107158251
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Adopting a unique historical approach to its subject and with a particular focus on the institutions involved in the creation, dissemination, and reception of literature, this handbook surveys the way in which the Cold War shaped literature and literary production, and how literature affected the course of the Cold War. To do so, in addition to more 'traditional' sources it uses institutions like MFA programs, university literature departments, book-review sections of newspapers, publishing houses, non-governmental cultural agencies, libraries, and literary magazines as a way to understand works of the period differently.

Broad in both their geographical range and the range of writers they cover, the book's essays examine works of mainstream American literary fiction from writers such as Roth, Updike and Faulkner, as well as moving beyond the U.S. and the U.K. to detail how writers and readers from countries including, but not limited to, Taiwan, Japan, Uganda, South Africa, India, Cuba, the USSR, and the Czech Republic engaged with and contributed to Anglo-American literary texts and institutions.

Greg Barnhisel is Professor of English at Duquesne University, USA. He is an internationally known scholar of the history of the book, modernism and the cultural Cold War, with two monographs on those topics. In 2010, he edited an anthology entitledPressing the Fight: Print, Propaganda, and the Cold War. He is one of the editors of the journalBook Historyand a series editor for the 'Studies in Print Culture and the History or the Book' series at the University of Massachusetts Press.

This handbook offers a major new reading of Cold War literature which moves right away from a view of the period as one restricted by narrow political polarities. Its coverage is global, enabling it to present an informatively diverse survey of Cold War writing which connects at every point with the cultural contexts of this literature. Professor David Seed, Unlă»

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