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Artivism: The Battle for Museums in the Era of Postmodernism [Paperback]

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  • Category: Books (Art)
  • Author:  Adams, Alexander
  • Author:  Adams, Alexander
  • ISBN-10:  1788360737
  • ISBN-10:  1788360737
  • ISBN-13:  9781788360739
  • ISBN-13:  9781788360739
  • Publisher:  Societas
  • Publisher:  Societas
  • Pages:  200
  • Pages:  200
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  1788360737-11-MPOD
  • SKU:  1788360737-11-MPOD
  • Item ID: 107174534
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Oct 16 to Oct 18
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.

From Banksy to Extinction Rebellion, artivism (activism through art) is the art of our era. From international biennale to newspaper pages, artivism is everywhere. Both inside museums and on the streets, global artivism spreads political messages and raises social issues, capturing attention with shocking protests and weird stunts. Yet, is this fusion of art and activism all it seems? Are artivist messages as subversive and anti-authoritarian we assume they are? How has the art trade commodified protest and how have activists parasitised art venues? Is artivism actually an arm of the establishment?

Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism. He uncovers troubling ethical infractions within public organisations and a culture of complacent self-congratulation in the arts. His findings suggest the perception of artivism  the most influential art practice of the twenty-first century  as a grassroots humanitarian movement could not be more misleading. Adams concludes that artivism erodes the principles underpinning museums, putting their existence at risk.

GB

This is an excellent, thoroughly informative piece of work that deals frontally with one of the most uncomfortable truths of our time: what appears as dissident protest is just another brick in the establishment's wall. Adams addresses these matters as a thinker and as an artist who does not shy away from upholding a higher vision of art than engineered outbursts of falsely polemical dissent.

Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism (activism through art). His findings suggest the perception of artivism as a grassroots humanitarian movement could not be more misleading.

Adams has risked his reputls>

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