Paul and Seneca Among the Condemned: The Use of Spectacle in the Early Empirerelocates the comparison of these two figures from the philosophers lecture hall to the amphitheaters of Rome and Corinth. The book explores the sites and images of spectacle that littered the landscapes of the ancient world. By examining archaeological remains alongside the letters of Paul and Seneca, James R. Unwin recreates their exhibitions of spectacle imagery. What we discover in viewing these provocative scenes from the grim world of the arena are suggestive responses to sovereign power and state terror. Their responses open up space for us to think through the reproduction of new arenas in our present world.Paul and Seneca Among the Condemned explores the sites and images of spectacle that littered the landscapes of the ancient world. By examining archaeological remains alongside the letters of Paul and Seneca, we discover new readings and suggestive responses to sovereign power and state terror in the early empire.
James R. Unwinis a senior policy analyst at the Ministry for Primary Industries in Wellington, New Zealand.
In this profound and courageous investigation, James Unwin reaches beyond conventional scholarship on Paul and Seneca to retrieve an understanding of their respective uses of spectacle imagery to subvert the power structure of Roman militarism and imperialism. Unwin guides readers through the spectacle landscapes of the early Empire, recovering the mostly neglected Neronian and Corinthian amphitheaters. Writing with rare lyricism and passion, Unwin demonstrates that Paul and Seneca imaginatively placed themselves among the disposable and discarded of society, to envision alternative ways of life, through Stoic philosophy and political theology. Unwins retrieval of Paul among the condemned fortifies readers to resist the power of modern nation-states whose policies dehumanize refugees, migrants, and all the dispossessed of the earth. L. L. Welbl“)