The first Jewish woman to leave her mark as a writer and intellectual, Sarra Copia Sulam (1600?–41) was doubly tainted in the eyes of early modern society by her religion and her gender. This remarkable woman, who until now has been relatively neglected by modern scholarship, was a unique figure in Italian cultural life, opening her home, in the Venetian ghetto, to Jews and Christians alike as a literary salon.
For this bilingual edition, Don Harrán has collected all of Sulam’s previously scattered writings—letters, sonnets, aManifesto—into a single volume. Harrán has also assembled all extant correspondence and poetry that was addressed to Sulam, as well as all known contemporary references to her, making them available to Anglophone readers for the first time. Featuring rich biographical and historical notes that place Sulam in her cultural context, this volume will provide readers with insight into the thought and creativity of a woman who dared to express herself in the male-dominated, overwhelmingly Catholic Venice of her time.
Don Harránis the Artur Rubinstein Professor Emeritus of Musicology at the Hebrew University of Jersualem. He is the author of many books, includingSalamone Rossi, Jewish Musician in Late Renaissance Mantua.
List of Illustrations
Acknowledgments
List of Abbreviations
Series Editors’ Introduction
Volume Editor’s Introduction
Volume Editor’s Bibliography
I Sarra Copia and Ansaldo Cebà
1.Letters to Sarra Copiafrom her Christian Correspondent Ansaldo Cebà (1618–22)
2. Letter fromSarra Copia to Isabella della Tolfa (1623)
3. References toSarra Copia in a Second Collection of Ansaldo Ceb