The Last Isle: Contemporary Film, Culture and Trauma in Global Taiwan [Hardcover]

Taiwan is in danger of becoming the last isle, losing its sovereignty and identity. The Last Isle opens from where Taiwan film scholarship leaves offthe 1980s Taiwan New Cinema, focusing on relatively unknown contemporary films that are unglobalizable, such as Cape No. 7, Island Etude, Din Tao, and Seven Days in Heaven. It explores Taiwan films inextricability with trauma theory, the irony of loving and mourning Taiwan, multilingualism, local beliefs, and theatrical practices, including Ang Lees white films. The second half of the book analyzes Taiwans popular culture in Western-style food and drink, conditions over living and dying, and English education, concluding with the source of Taiwans anxietyChina.

This book distinguishes itself from Taiwan scholarship in its stylistic crazy quilt of the scholarly interwoven with the personal, evidenced right from the outset in the poetic title The Last Isle, coupled with the dissertating subtitle. This approach intertwines the helix of reason and affect, scholarship and emotion. The Last Isle accomplishes a look at globalization from the bottom up, from a global Taiwan whose very existence is in doubt.

Sheng-mei Ma is Professor of English at Michigan State University.Sheng-mei Ma's The Last Isle is an engaging look at Taiwan's never-ending trauma through the lens of film, trauma, and popular culture. Ma does a masterful job of bringing together voluminous amounts of scattered information, carefully analyzed with an abundance of allusions to historical and contemporary phenomena, and presented with poetic-like prose. John A. Lent, International Journal of Comic ArtAcknowledgments / Figures / Introduction / 1. Trauma and Taiwans Melodrama: Seven Orphans of Cape No. 7 / 2. Islands Irony: Virtual Pilgrimage Circum-Taiwan in Search of the High Cs / 3. Mazus Touch, Taiwan Nezha and Crying / 4. Globalizations Bottom: Subtitle and Switch in Wang Yu-Lins Taiwanese Dialect Films / 5. Wet Umbrell6