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Leader of the Band The Life of Woody Herman [Paperback]

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  • Category: Books (Biography & Autobiography)
  • Author:  Lees, Gene
  • Author:  Lees, Gene
  • ISBN-10:  0195115740
  • ISBN-10:  0195115740
  • ISBN-13:  9780195115741
  • ISBN-13:  9780195115741
  • Publisher:  Oxford University Press
  • Publisher:  Oxford University Press
  • Pages:  448
  • Pages:  448
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jul-1997
  • Pub Date:  01-Jul-1997
  • SKU:  0195115740-11-MPOD
  • SKU:  0195115740-11-MPOD
  • Item ID: 102459813
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 14 to Jul 16
  • Notes: Brand New Book. Order Now.
Few people know jazz as well as Gene Lees. As a musician, songwriter, former editor ofDown Beat, and creator of the acclaimedJazzletter, he has steeped himself in the music for decades. And no one writes about jazz better than Lees. He is widely acknowledged to be one of the leading jazz historians.The Washington Postcalled him one of those writers who's a joy to read on any subject at all. No less than Dizzy Gillespie has called Lees the glowing jewel of jazz for his perceptive writing about the music. Now comes the book that jazz lovers (and Lees's fans) have been waiting for--Leader of the Band, a vivid, full-scale biography of Woody Herman.
Asked by Herman in 1986 to write his biography, Gene Lees has spent close to a decade working on it, interviewing many of Herman's childhood friends and lifelong acquaintances as well as numerous musicians, including Les Brown, Milt Jackson, Peggy Lee, Tony Martin, and Red Norvo. The result is a strikingly immediate and well informed portrait of one of the great figures in jazz history--a musical giant whose career spanned the big band and bebop eras. Lees unfolds Herman's dramatic life from his childhood in Milwaukee to his final tragic days hounded by the IRS. We follow his rise to prominence in the 1930s as leader of the band that plays the blues, when he quickly earned the love and respect of his peers that became the enduring hallmark of his career. Lees illuminates Herman's great success between 1945 and 1950, when bebop rapidly developed, revealing how Herman successfully made the transition with bands that became famous as Herman's First Herd and Second Herd. (The Second Herd in particular won a stellar place in the annals of bebop, boasting many brilliant musicians, most notably, tenor saxophonist Stan Getz.) Lees also captures the ultimate tragedy that broke Herman's career--when Herman's manager diverted the band's withholding tax to settle gambling debts. Herman wasl£Ł
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